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Virginia
Woolf
When I was commissioned to make "Virginia Woolf", I confess I knew
little about her. I knew that every woman should have a room of one's
own and a
little money in order to write fiction. I also found the Bloomsbury
group
to be a bit tedious with all their affairs and their intellectual
snobbery.
But I discovered that I had been unduly influenced by popular
propaganda,
and that I was afraid of the big bad Woolf. Ironically, when I discuss
the
women of the bible, I warn against being influenced by paintings,
movies,
and images. Then I realized I was guilty of responding not to Virginia
Woolf, the woman, but to Virginia Woolf, the
icon.
Now, I hold the writings of Virginia Woolf in high esteem. I am
grateful for the commission. The inside text is from her novel The Waves: "We are only
lightly covered with buttoned cloth; and beneath these pavements are
shells, bones and silence."
The exterior of the vessel is wavy, symbolic of Woolf's emotional
personality and a reference to the novel's title. There is a tiny
button at her neck
that hints at what the text might be. She is tall and elegant,
long-necked
with arms akimbo to capture her determined stance.
As I attempt to sort out the poetic language and try to understand what
makes the person or the character, I realize that there is certainly a
rich source of wisdom and spiritual insight in her writings. But there
is also still some mystery. And therein lies the beauty.
30 cm h, 2004 (collection of L. Fish)
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